©Pascal Albandopulos

©Pascal Albandopulos

 

ALICE SARA OTT

piano


Alice Sara Ott celebrates the 2021/22 season with her tenth album on Deutsche Grammophon; Echoes Of Life; released on 6 August. She approaches Chopin’s 24 Préludes op. 28 from a fresh perspective, finding a personal thread that parallels the music’s dramatic arc and wide-ranging moods. Ott frames the Préludes within a contemporary context by interspersing them with seven works by 20th- and 21st-century composers. For the project Alice Sara Ott expands her artistic horizons by collaborating with award-winning architect Hakan Demirel. Together they have created an album-length digital video installation to accompany Echoes Of Life live in concert. The multi-sensory experience lends a physical dimension and visual narrative to the music, taking us on a virtual journey through the microcosm of Echoes Of Life.

Echoes Of Life is a personal reflection on the thoughts and moments that influence and change our lives. It also portrays the journey and transformation I took to become the person and artist I see myself as today. In interpreting music from composers who, in their own time, challenged the system and redefined music, I see it as my role as a classical musician to carry this spirit forward by not insisting on reproducing bygone traditions and limitations.” – Alice Sara Ott

 
She has the most delicate touch, the first movement cadenza pirouetting with the grace of a music-box ballerina… She transformed the finale into a playful Scherzo, playing cat and mouse with the orchestra.
— BACHTRACK
German-Japanese pianist Alice Sara Ott shades the most photosensitive pieces of French Impressionism — Debussy’s dreamy Suite bergamasque and Ravel’s ghoulish Gaspard de la nuit — with a seemingly limitless capacity to lend warmth, depth and color.
— WQXR
Her technique is ­dazzling, her tone ­wonderfully varied, from ­crystalline purity to powerfully raw, and the energy propelling her playing seems unstoppable.
— The Guardian